[Other than watching Senri flamboyantly spin around in the jacket, he pointedly looks away.] It was fine. [Unlike someone else, he won't throw Taka under the bus. Instead, he bends to take Ray's camera out of the bag with one hand since the opposite has a parfait still.] Actually.
I forgot something.
[He's so quick!! There's no hesitation. Senri is occupied with the jacket and Taka, and Taka is occupied with the parfait. He closes the distance between him and Taka and with literally no reluctance, leans in to smooch him. Like Senri's, it isn't really that amazing. There's nothing behind it but a very second-long peck, almost like it's for a business purpose. He even makes a face; Taka's lips are too sweet and it's gross. He doesn't seem worried about being curb-stomped, plus the point was nothing was in secret this time.]
Now the two of you can shut the hell up since you both got one.
[The field is even, and he can drop it, and maybe they won't feel hurt about each other. He leaves the bag with them, but turns away with the camera under an arm, so he can hide any sort of humiliation with the last scraps of dignity he has left.]
no subject
[Other than watching Senri flamboyantly spin around in the jacket, he pointedly looks away.] It was fine. [Unlike someone else, he won't throw Taka under the bus. Instead, he bends to take Ray's camera out of the bag with one hand since the opposite has a parfait still.] Actually.
I forgot something.
[He's so quick!! There's no hesitation. Senri is occupied with the jacket and Taka, and Taka is occupied with the parfait. He closes the distance between him and Taka and with literally no reluctance, leans in to smooch him. Like Senri's, it isn't really that amazing. There's nothing behind it but a very second-long peck, almost like it's for a business purpose. He even makes a face; Taka's lips are too sweet and it's gross. He doesn't seem worried about being curb-stomped, plus the point was nothing was in secret this time.]
Now the two of you can shut the hell up since you both got one.
[The field is even, and he can drop it, and maybe they won't feel hurt about each other. He leaves the bag with them, but turns away with the camera under an arm, so he can hide any sort of humiliation with the last scraps of dignity he has left.]
I'm taking this back to the parlor.